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MIECZYSŁAW WEINBERG: DIE PASSAGIERIN
Chor der Oper Graz · Grazer Philharmoniker · Roland Kluttig
Opera in two acts, eight scenes and one epilogue Op. 97 (1968)
Libretto: Alexander Medvedev after the novel by Zofia Posmysz
Lisa: DSHAMILJA KAISER
Marta: NADJA STEFANOFF
Walter: WILL HARTMANN
Tadeusz: MARKUS BUTTER
CHOR DER OPER GRAZ
(Einstudierung / Chorus Master: Bernhard Schneider)
GRAZER PHILHARMONIKER · ROLAND KLUTTIG Dirigent/conductor
‘I simply cannot stop enthusing about Weinberg’s The Passenger. I’ve heard it three times now, studied the score, and every time I understand more of the beauty and greatness of this music. It is a work of consummate form and style and its subject extremely relevant.’ – Dmitri Shostakovich
In 1960, Lisa – formerly a guard at Auschwitz and now the wife of a West German diplomat – is on an ocean liner bound to Brazil. She thinks she recognises in another passenger a woman named Martha, a Polish prisoner under her direct jurisdiction. Through a series of flashbacks across two acts, eight scenes and one epilogue, the audience witnesses the final reckoning between two women as they attempt to escape their pasts. The Passenger premiered in 2010 at the Bregenz Festival. With this new production by Oper Graz composer Mieczysław Weinberg’s powerful Holocaust drama continues to gain international recognition.
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HENZE: DAS VERRATENE MEER
Bo Skovhus · Vera-Lotte Boecker · Josh Lovell · Orchester der Wiener Staatsoper · Simone Young
‘I find myself increasingly occupied with matters of the human soul, its sublimation and spiritual abyss. Certainly my opera The Ocean Betrayed betrays this preoccupation. This music has been to Hades and back, with Monteverdi and myself.’ Hans-Werner Henze based the story for Das verratene Meer (‘The Sea Betrayed’) on Japanese writer Yuko Mishima’s 1963 novel, Gogo no Eiko (‘The Sailor Who Fell from Grace with the Sea’). The book offers an unsettling scenario ‘in which the struggle for normality is doomed to failure’. A young widow, Fusako, falls for a merchant navy officer, Ryuji, creating tension with her son, Noboru, who belongs to a violent gang that will exact revenge on the widow’s lover. Through symphonic interludes, the ‘angry, betrayed sea’ becomes the drama’s witness and its narrative voice in Henze’s painfully dark and brutal opera.
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Premiere Portraits: Franziska Lee
Franziska Lee, piano
Franziska Lee has made a name for herself as an exceptional pianist capable of eliciting an orchestral palette of colours from the piano. Following her debut CD featuring an exclusively 20th-century French programme (Capriccio C3006), Lee has devoted her second recording to British composers of the same period. Together they tell a story of their time, from Britten’s exuberant Holiday Diary, a joyful interlude between the wars, to Tippett’s escapist Piano Sonata No. 1, written on the eve of the Second World War. With effortless virtuosity and musical insight Lee shines a light on a lesser-known corner of the piano repertoire.
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#bruckner24 Symphony #8 (1890)
Bruckner Orchester Linz - Markus Poschner
This Complete Versions Edition includes all versions published or to be published under the auspices of the
Austrian National Library in the Neue Anton Bruckner Gesamtausgabe
(New Anton Bruckner Collected Works Edition).
Anton Bruckner burst out of the confines of the cathedral using that most secular of musical forms, the symphony. The creator of some of the 19th century’s greatest orchestral music, Bruckner cut a singular figure among his contemporaries. This new complete Bruckner Symphonies edition from Capriccio reassesses these enduringly enigmatic and complex works. Presented by the Bruckner Orchestra Linz and the ORF Vienna Radio Symphony Orchestra, and featuring all 19 available versions, the cycle is scheduled for completion in 2024, Bruckner’s 200th birthday. The second release, of Symphony No. 8 (1890 version) is performed by Bruckner Orchestra Linz conducted by Markus Poschner.
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HINDEMITH: MATHIS DER MALER
Slowakischer Philharmonischer Chor · Wiener Symphoniker · Bertrand de Billy
MATHIS DER MALER
Oper in sieben Bildern / Opera in seven scenes (1938)
MATHIS, Hofmaler des Erzbischofs: Wolfgang Koch
ALBRECHT VON BRANDENBURG,
Kardinal und Erzbischof von Mainz: Kurt Streit
LORENZ VON POMMERSFELDEN, Domdechant: Martin Snell
WOLFGANG CAPITO, Rat des Kardinals: Charles Reid
RIEDINGER, Ein reicher Mainzer Bürger: Franz Grundheber
URSULA, seine Tochter: Manuela Uhl
HANS SCHWALB, ein Bauernführer: Raymond Very
REGINA, seine Tochter: Katerina Tretyakova
SYLVESTER VON SCHAUMBURG, Offizier: Oliver Ringelhahn
TRUCHSESS VON WALDBURG, Heeresbefehlshaber: Ben Connor
GRÄFIN HELFENSTEIN: Magdalena Anna Hofmann
DER PFEIFER DES GRAFEN: Andrew Owens
