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KAPUSTIN: Complete Piano Concertos

Frank Dupree ·
SWR Big Band · SWR Symphonieorchester · Rundfunk-Sinfonieorchester Berlin · Württ. Kammerorchester Heilbronn · Dominik Beykirch

4CD · C7480 · [11/2026] UPC: 845221074801

“…our life is like jazz improvisation; it should always be spontaneous, always in the moment, and always free.” (Nikolai Kapustin) Mission accomplished! After six years of rehearsals, concerts, and productions, all six piano concertos by the Russian jazz wizard Nikolai Kapustin are now available as recordings. Concertos Nos. 1 and 3, along with the no less virtuosic 8 Concert Etudes Op. 40, are released here for the first time, thereby completing this successful cycle. Drawing a parallel to one of the most prominent figures of symphonic jazz, Kapustin is often described as a “Russian following in Gershwin’s footsteps.” Frank Dupree has tirelessly followed that path, finally presenting us this significant gap in musical history.

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NOSKOWSKI

Zygmunt Noskowski (1846 - 1909): Variations and Fugue on a Theme of Viotti · String Quartet No. 2 · Humorous Quartet
Meccore String Quartet

C5559 [06/2026] PC: 21 UPC: 845221055596

Zygmunt Noskowski, the influential Polish conductor and composer, is perhaps better remembered for his role as a teacher and mentor to later luminaries such as Karol Szymanowski and Mieczysław Karłowicz – and for his connection to Stanisław Moniuszko – than for his own compositions. Yet for much of the 19th century, he was Poland’s leading exponent of modern music and his works are central to the Polish tradition. After the Capriccio recordings of his Symphonies (CD C5509 and C5547) this album presents some of his string quartets and shows us again a veritable picture book of Polish romanticism.

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KJELL FLEM

Piano Concerto (1992) · Cello Concerto (2005)
Oliver Triendl, piano · Benedict Kloeckner, cello · Rundfunk-Sinfonieorchester Berlin · Markus L. Frank

C5565 [06/2026] PC: 21 UPC: 845221055657

A student of Einar Englund and Einojuhani Rautavaara, Kjell Flem has been active in the Norwegian music community as a composer, organist, pianist, music teacher and critic for many years. His relatively small number of compositions is founded on traditional forms, creating an atmospheric ambience deeply rooted in the natural landscape of his homeland. Flem's creative process extends over a long period of time as, in his own words, truly magical moments of inspiration are rare.

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Kurt Weill: Street Scene

A Broadway Opera in two acts (1947)
Giselle Allen · Robert Hayward · Chorus and Orchestra of Opera North · James Holmes

2CD-Set · C5560 [10/2026] PC: 22 UPC: 845221055602

Today Street Scene is Kurt Weill’s most frequently revived American stage work.
A polystylistic blending of operatic arias and ensembles, musical comedy songs and dances, dramatic dialogue both unaccompanied and underscored, and extraordinary emotional drama, Street Scene is arguably Weill’s breakthrough. Though Elmer Rice’s play was set in the 1920s, the popular music references are pure 1940s style (Glenn Miller, Rodgers and Hammerstein). After the successful release of "Love Life" (Capriccio C5550) this recording fills up the meanwhile large Kurt-Weill-Catalogue of Capriccio, again with a powerful cast from Opera North.

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HANS WINTERBERG

Piano Concerto No. 2 (1949-51) · Symphony No. 2 (1943-46)
Jonathan Powell, piano · Deutsche Staatsphilharmonie Rheinland-Pfalz · Roland Kluttig

C5557 [10/2026] PC: 21 UPC: 845221055572

Hans Winterberg (1901-1991) grew up in Prague where he was one of a whole cadre of composers in the new Czech musical tradition. He claimed to have been inspired by Schoenberg, but in reality, he cultivated a Central European Impressionism which he skillfully blended with complex rhythms. The two works presented on this CD mark high points in Winterberg's oeuvre. The circumstances in which they were composed could not have been more different. While the Second Symphony was written during the darkest moments of his existence, he composed the Second Piano Concerto less than ten years later, in what was probably the brightest moment of his life, the early 1950s, when his breakthrough as a composer, which he had been unable to achieve in Czechoslovakia, now seemed certain in the young Federal Republic of Germany.

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